Scratch Live

The HIP HOP heads, the DIVAS, and everybody who appreciates GREAT music. A very FRESH show with live battle by SCRATCH from the Grammy Award-winning band The ROOTS. SCRATCH is 1/3 beat boxer, 1/3 vocal turntablist, and 1/3 amazing. Everything a DJ can do with a turntable, he can do with his mouth…SCRATCH is the Louis Armstrong of Hip-Hop. This show will also feature special surprises and give-a-ways…We got you!

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Very Limited $10 Advance Tickets Available at igunderground.com
Get Your Tickets Now! They will sell fast!

Scratch Live

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Hip-Hop Gives Back

Twenty years after the initial Stop the Violence campaign was born, Hip Hop pioneer KRS-One is re-launching the effort with many of the today’s notable MCs.

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Immortal Technique, Chingy, and Rick Ross are just a few of many who will participate in the series of public service announcements designed to curb the increasing levels of violence among youth.

“We are in a state of emergency—school shootings, nooses being hung from trees, domestic violence, gang violence, police brutality and war. In the midst of mass turmoil the Hip Hop community cannot afford to stand still,” KRS said about the need for a new campaign.

In addition to the PSAs, various youth programs, lectures, films and a new Stop the Violence album will follow.

While Hip Hop has been widely criticized for violent imagery that often celebrates death, the rappers involved with the project recognize that the culture has the ability to change society.

The project even drew the attention—and support—of Stanley Crouch, an outspoken critic of Hip Hop culture.

In an editorial that appeared last week on the SacBee website, Crouch praised KRS—while condemning T.I.—for a campaign that “couldn’t come too soon.”

“If this smart campaign is successful in lessening the slaughter of black people from coast to coast,” Crouch writes, “we will all be glad to admit that hip-hop has begun to discourage the kinds of actions that resulted in the ominous charges now facing Clifford Harris, way down yonder in Atlanta.”

The original Stop the Violence campaign began in the late 80’s in response to rising violence in the community and the death of Boogie Down Productions co-founder Scott La Rock. The movement birthed the classic anthem, “Self Destruction”, which featured a who’s who of Hip Hop including Doug E. Fresh, Public Enemy, Stetsasonic, and Boogie Down Productions. All proceeds from the campaign were donated to the National Urban League.


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Basketball and Streetball

Naismith’s handwritten diaries, discovered by his granddaughter in early 2006, indicate that he was nervous about the new game he had invented, which incorporated rules from a Canadian children’s game called “Duck on a Rock“, as many had failed before it. Naismith called the new game ‘Basket Ball’.

The first official basketball game was played in the YMCA gymnasium on January 20, 1892 with nine players, on a court just half the size of a present-day Streetball or National Basketball Association (NBA) court. “Basket ball”, the name suggested by one of Naismith’s students, was popular from the beginning.

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Steven Jackson, who is now the chairman of L.A. Gear, is a big name in Los Angeles basketball. His name comes up a lot, mostly because of the unbelievable gym at his Bel Air house where NBA players, insiders, bigwigs and even the occasional blogger (I have heard) cavort with regularity.

The house featured a regulation-size NBA court that was a replica of the Staples Center, a bowling alley, a movie theater, a tennis court and game room.

Rather than deal with the Los Angeles-area traffic, the Pacers held their shootaround at the home of Steven Jackson, the chairman of the apparel company L.A. Gear, in a gated community in Bel Air.
“They said this place was available and the proximity was great,” Carlisle said. “The facility was sensational. The Staples Center just wasn’t a feasible thing to do.”

O’Neal and Al Harrington both worked out at Jackson’s home on a regular basis last summer.
“This house is in a different money bracket,” O’Neal said. “The stuff he has is incredible.”

Los Angeles has been a steady meeting place because Roy’s agent, Arn Tellem, is headquartered there. Teams either put the player through workout paces at a private gym at the Bel Air home of Lakers super fan Steve Jackson or Santa Monica High School, depending on what’s available for the agent’s agency. Steve Jackson’s gym was built as a mini Staples Center, as a shrine to his favorite team, complete with hanging championship banners. On the wall is a piece of the wooden floor from the Forum, the Lakers’ former home, and it is signed by Magic Johnson, Kobe Bryant and others, and now Roy.

By the way, this guy must LOVE the Staples Center. Check out how prominent it is on the L.A. Gear website.

Source:  TrueHoop 

Chamillionaire

Chamillionaire

You have a lot of socially conscious material on the album. Do you feel its an artist’s responsibility to help the audience understand what’s going on?
Some people are built for that, and some people aren’t. Every artist isn’t supposed to be up there teaching some message to these kids because every artist ain’t built to be like that. Every artist ain’t gonna be in a CEO position but some people are built for that. And when it comes to hiding the medicine inside the candy to where people have to ask, ‘What is this about?’ I think I’m built for that. You can put that in big quotations: “I feel like I’m a leader.” I can’t help it, that’s all I know how to do. If you ask me a question I’ma answer it in a real way because that’s just me. So when I make my music and run in that booth, what inspires me to get in there and write is just the fact that I know somebody’s listening and what I want to say. I’m a person who gets in the booth and speaks with a purpose. I don’t even care if you’re a gangsta rapper, a conscious rapper, I don’t be feelin’ it if it’s not somebody speaking with a purpose. I don’t even really remember somebody completely speaking with a purpose every time he spoke since ‘Pac. Nobody. People just make words rhyme just to make ‘em rhyme. With me, I’m like, ‘Man, F it,’ and somebody might call it career suicide, but I beg to differ. I’m just trying to fill a void that I feel rap needs, ‘cause I love rap, and I listen to it as a whole genre, like streetball. I just know what it’s missing in my opinion. And what I just came with is what I think is missing. People never really see the motive in the beginning with me, and then they always find out later. My life has been like that. And I haven’t even begun yet. Now, I’m not saying I’m fitting to be all socially conscious; I’m gonna jump all over the place. I’ma do something completely different next time I come. continue reading the interview

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